12-Session Curriculum
From capable operator to working catalogue owner.
Sessions 1 and 2 build instruments: multisampled keygroups with velocity layering, round
robin and clean loops, then a repeatable method for sampling your own hardware into
programs that cost no CPU and require no clearance. Sessions 3 and 4 make automation a
production discipline — Q-Link banks, inverse-assignment macros, the X/Y pad, and
arrangement-scale movement planned from a written energy map.
Sessions 5 and 6 wire the studio together: external gear under MPC control over MIDI and
CV/Gate, with clock, latency compensation and calibration all documented. Session 7 builds
a performable live set from clip programs and scenes, with a failure plan. Sessions 8 and 9
cover professional mix architecture — bus grouping, parallel compression and
saturation, sidechain, low-end management and mono survival — then mastering to
commercial loudness and true-peak standards. Sessions 10 through 12 turn output into a
business: a batched EP workflow, complete rights registration across every royalty channel,
and an honest twelve-month revenue model with an ROI case for the instrument itself.