Three Control Zones, One Engine
The keyboard, the 16 pads and the 7-inch touchscreen are three doors into the same engine. Knowing which one a task belongs to is most of what separates fluent MPC users from frustrated ones — and it is Session 1.
You bought a machine that does not need a computer. Most owners never fully act on that. Twelve sessions take you from first power-on to a finished, mixed, mastered track exported with stems — without opening a DAW once. Every session ends with something you keep: a program, an instrument, a template, a track.
The keyboard, the 16 pads and the 7-inch touchscreen are three doors into the same engine. Knowing which one a task belongs to is most of what separates fluent MPC users from frustrated ones — and it is Session 1.
Drum programs, keygroup instruments, sampling through the combo inputs, chopping, Fabric XL and the AIR plugins, multitrack recording, the MPC 3 mixer, the Linear Arranger, and export to 24-bit masters and aligned stems.
Session 12 places the instrument inside the wider MWHQ system — MPC to ElevenLabs to RipX to Digen to YouTube and Buffer — and establishes the export discipline that lets the rest of the pipeline run without manual repair.
Sessions 1 and 2 remove every technical obstacle and build the physical fluency everything else depends on — firmware, authorisation, preferences, and a blind navigation drill on every control and connection. Session 3 covers the MPC data hierarchy, where samples actually live, and building the template project you will start every session from for the rest of your life with the instrument.
Sessions 4 through 8 build the production toolkit: drum programs with velocity layers and real quantise-strength discipline, keygroup instruments and keyboard splits, sampling and gain staging through the combo inputs, three chopping methods and when each applies, and the Fabric XL and AIR plugin engines built from initialised states rather than browsed. Sessions 9 through 12 complete the chain — multitrack recording and grid editing, the MPC 3 track and pad mixers with sends and a master chain at −14 LUFS, Song Mode and the Linear Arranger with on-device stem separation, and a full three-hour production run from empty project to published-ready master.
Sir Leslie Jennings is the founder of M.U.S.I.C. World HQ. The MWHQ approach: offer knowledge, not a workshop. Every session carries a Sir Leslie's Notes callout — the things only an experienced user knows, including the ones the manual does not mention and the ones most owners take two years to work out on their own.
$299 — one-time purchase, complete Level 1 curriculum DOCX, immediate download.
Use your Pro Workshop Discount at checkout to reduce the price to $249.
Use your All Access Workshop Discount at checkout to reduce the price to $199.
Akai put a real playing surface at the centre of the sampler, and it changes the kind of music you make on it. This curriculum is the structure for the first twelve sessions — the ones that decide whether the instrument becomes transparent to you in a month or stays an expensive obstacle for a year. Level 2 takes it from capability to system.